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Bespoke Stencil

By Jérémie Hornus • Indian Type Foundry

Geometric Essence
R
Scatter Analysis

English Aesthetics

ContrastWeightFluiditySpaceProportionGeometryTypographyVisualBalanceCompositionEleganceModernismStructureAestheticCraftdani
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A design is only as good as its typography.

Typography is the craft of endowing human language with a durable visual form, and thus with an independent existence.

Grumpy wizards make toxic brew for the evil Queen and Jack. Pack my box with five dozen liquor jugs. The five boxing wizards jump quickly.

Annual Recognition
Font of the Year

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Chosen for its unparalleled geometric purity and timeless elegance in modern UI design.

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Family weight distribution

Weights Matrix

Light 300
Sphinx of black quartz, judge my vow.
LightItalic 301
The quick brown fox jumps over the lazy dog.
Regular 400
Pack my box with five dozen liquor jugs.
Italic 401
How vexingly quick daft zebras jump!
Medium 500
The five boxing wizards jump quickly.
MediumItalic 501
Jinxed wizards pluck ivy from the big quilt.
Bold 700
Crazy Fredericka bought many very exquisite opal jewels.
BoldItalic 701
A wizard's job is to vex chumps quickly in fog.
Extrabold 800
Sphinx of black quartz, judge my vow.
ExtraboldItalic 801
The quick brown fox jumps over the lazy dog.
Variable 1
Pack my box with five dozen liquor jugs.
VariableItalic 2
How vexingly quick daft zebras jump!
Textual Density
The wind was a mournful wail as it whipped through the desolate landscape, stirring up dust and debris. The sky was a bleak and unforgiving gray, seeming to mirror the sadness that weighed heavy on the heart of the lone traveler. The road ahead was long and treacherous, with no end in sight. But still, the traveler pressed on, driven by an unshakable determination to reach their destination, no matter the cost. As the journey wore on, the traveler encountered countless hardships, from scorching sun and relentless rain.
Accessing the Glyphs

Characters & Glyphs

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

a b c d e f g h i j k l m n o p q r s t u v w x y z

0 1 2 3 4 5 6 7 8 9

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The Narrative

The Story of Bespoke Stencil

Bespoke Sans Stencil is family of humanist sans serif fonts that look like stencil letters. Each stroke in the fonts’ letterforms breaks at the place where a writer might pause, if they were written with a broad pen. The underlying structure is similar to the Bespoke Sans fonts. The typeface’s design features large, open counterforms; these hep maximise legibility. The Bespoke Sans Stencil family includes five weights that range from Light through Bold. Each weight has an upright and an italic font on offer. The lowercase ‘a’ and ‘g’ in the upright fonts are double-storied; in the italic fonts, these become single-storied. The fonts’ numerals are proportionally-spaced oldstyle figures that harmonise especially well with the lowercase letters. Bespoke Sans Stencil is an excellent choice for use in branding, corporate communication, or editorial design. The fonts are a real team effort; they were designed by Jeremie Hornus, Theo Guillard, Morgane Pambrun, Alisa Nowak, and Joachim Vu. Together with the Bespoke Sans and Bespoke Serif families, Bespoke Sans Stencil is part of a proper Fontstore series you could call ‘the Bespoke superfamily’.
Technical Data

Specifications

Version

1.0

License

itf_ffl

Total Views

6,320

Recent Views

279

OpenType Features

aaltfracligaloclordnsaltsups

Tags

#Logos#Magazines#Poster#Websites

Languages

Afar, Afrikaans, Albanian, Aranese, Aromanian, Aymara, Azeri (Latin), Basque, Bemba, Bislama, Bosnian, Breton, Catalan, Chamorro, Cheyenne, Chichewa, Chuukese, Cofán, Cornish, Crimean Tatar, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Finnish, French, Frisian, Friulian, Ga, Galician, Ganda, German, Gikuyu, Greenlandic, Guaraní, Guarani, Gwich’in, Haitian, Hawaiian, Hungarian, Icelandic, Ido, Igbo, Indonesian, Interlingua, Irish Gaelic, Italian, Javanese, Karelian, Kashubian, Kinyarwanda, Kiribati, Kirundi, Kituba, Kurdish (Latin), Ladin, Latvian, Lithuanian, Luxemburgish, Malagasy, Malay, Maltese, Maninka, Manx, Māori, Marshallese, Náhuatl, Nauruan, Navajo, Ndebele (Northern), Ndebele (Southern), Norfuk, Norn, Norwegian (Bokmål), Norwegian (Nynorsk), Nyanja, Occitan, Oromo, Otomi, Palauan, Papiamento, Pedi, Polish, Portuguese, Quechua, Rarotongan, Rhaeto-Romanic, Romaji, Romani, Romanian, Sámi (Inari), Sámi (Lule), Sámi (Northern), Sámi (Southern), Samoan, Sango, Sardinian, Scottish Gaelic, Serbian (Latin), Seychelles Creole, Shona, Silesian, Slovak, Slovene, Somali (Latin), Sorbian, Sotho, Spanish, Swahili, Swati, Swedish, Tagalog (Filipino), Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tsonga, Tswana, Turkish, Tuvalu, Twi, Ulithian, Umbundu, Veps, Vietnamese, Welsh, Wolof, Xhosa, Zulu

Acquire assets Download Bespoke Stencil pack

Free for personal & commercial use via Fontshare • Full family pack

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Frequently Asked Questions

Can I use Bespoke Stencil for commercial projects?

Yes, you can use Bespoke Stencil for both personal and commercial projects. However, please review the specific terms of the itf_ffl license.

How many weights does Bespoke Stencil include?

The Bespoke Stencil family includes 12 specific weights and styles, providing excellent versatility for your typographic designs.

Who designed Bespoke Stencil?

Bespoke Stencil was designed by Jérémie Hornus and naturally published by Indian Type Foundry.

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