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Clash Grotesk

By Indian Type Foundry • Indian Type Foundry

Geometric Essence
G
Scatter Analysis

English Aesthetics

AestheticProportionVisualScaleContrastSpaceModernismGeometryCraftGridEleganceWeightTypographydaniellaFluiditydani
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A design is only as good as its typography.

Typography is the craft of endowing human language with a durable visual form, and thus with an independent existence.

Grumpy wizards make toxic brew for the evil Queen and Jack. Pack my box with five dozen liquor jugs. The five boxing wizards jump quickly.

Annual Recognition
Font of the Year

Tabular

Chosen for its unparalleled geometric purity and timeless elegance in modern UI design.

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Family weight distribution

Weights Matrix

Extralight 200
Sphinx of black quartz, judge my vow.
Light 300
The quick brown fox jumps over the lazy dog.
Regular 400
Pack my box with five dozen liquor jugs.
Medium 500
How vexingly quick daft zebras jump!
Semibold 600
The five boxing wizards jump quickly.
Bold 700
Jinxed wizards pluck ivy from the big quilt.
Variable 1
Crazy Fredericka bought many very exquisite opal jewels.
Textual Density
The wind was a mournful wail as it whipped through the desolate landscape, stirring up dust and debris. The sky was a bleak and unforgiving gray, seeming to mirror the sadness that weighed heavy on the heart of the lone traveler. The road ahead was long and treacherous, with no end in sight. But still, the traveler pressed on, driven by an unshakable determination to reach their destination, no matter the cost. As the journey wore on, the traveler encountered countless hardships, from scorching sun and relentless rain.
Accessing the Glyphs

Characters & Glyphs

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

a b c d e f g h i j k l m n o p q r s t u v w x y z

0 1 2 3 4 5 6 7 8 9

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The Narrative

The Story of Clash Grotesk

Clash Grotesk is a family of sans serif fonts, with a twist. While the design of the family’s six styles is generally neo-grotesk in style, one feature immediately sets it from other typefaces in that genre: Its letterforms have very small ‘apertures’. These are the openings at the edges of the counterforms; if you look at the letter ‘c’, for instance, the space between ends of the two arms on the right-hand side of the letter is very small. It almost looks as if that aperture is about to close shut. Clash Grotesk is eye catching, but its ‘design trick’ does not go overboard. The typeface is tame enough to be used in corporate identity work, while remaining exciting enough for editorial designers. The family’s weights range from Extralight through Bold; the strokes of the letterforms are optically monolinear in all of them. Except for the lighter weights, the fonts have been optimised for use at running-text sizes. Clash Grotesk’s numerals are proportional lining figures, just as tall as tops of the uppercase letters. The lowercase’s ascenders rise up to this common capital/numeral height, too. The fonts’ x-height is tall, and the counterforms inside the letters are rather large. Clash Grotesk’s lowercase ‘a’ is double-story, while its ‘g’ is single-storey. Clash Grotesk has a companion family available for use in larger sizes: Clash Grotesk Display.
Technical Data

Specifications

Version

1.0

License

itf_ffl

Total Views

30,859

Recent Views

2,511

OpenType Features

aaltcaseccmpdligfracligaloclordnsaltsups

Tags

#Editorial#Magazines#Reading#Text

Languages

Afar, Afrikaans, Albanian, Aranese, Aromanian, Aymara, Azeri (Latin), Basque, Bemba, Bislama, Bosnian, Breton, Catalan, Chamorro, Cheyenne, Chichewa, Chuukese, Cofán, Cornish, Crimean Tatar, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Finnish, French, Frisian, Friulian, Ga, Galician, Ganda, German, Gikuyu, Greenlandic, Guaraní, Guarani, Gwich’in, Haitian, Hawaiian, Hungarian, Icelandic, Ido, Igbo, Indonesian, Interlingua, Irish Gaelic, Italian, Javanese, Karelian, Kashubian, Kinyarwanda, Kiribati, Kirundi, Kituba, Kurdish (Latin), Ladin, Latvian, Lithuanian, Luxemburgish, Malagasy, Malay, Maltese, Maninka, Manx, Māori, Marshallese, Náhuatl, Nauruan, Navajo, Ndebele (Northern), Ndebele (Southern), Norfuk, Norn, Norwegian (Bokmål), Norwegian (Nynorsk), Nyanja, Occitan, Oromo, Otomi, Palauan, Papiamento, Pedi, Polish, Portuguese, Quechua, Rarotongan, Rhaeto-Romanic, Romaji, Romani, Romanian, Sámi (Inari), Sámi (Lule), Sámi (Northern), Sámi (Southern), Samoan, Sango, Sardinian, Scottish Gaelic, Serbian (Latin), Seychelles Creole, Shona, Silesian, Slovak, Slovene, Somali (Latin), Sorbian, Sotho, Spanish, Swahili, Swati, Swedish, Tagalog (Filipino), Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tsonga, Tswana, Turkish, Tuvalu, Twi, Ulithian, Umbundu, Veps, Vietnamese, Welsh, Wolof, Xhosa, Zulu

Acquire assets Download Clash Grotesk pack

Free for personal & commercial use via Fontshare • Full family pack

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Frequently Asked Questions

Can I use Clash Grotesk for commercial projects?

Yes, you can use Clash Grotesk for both personal and commercial projects. However, please review the specific terms of the itf_ffl license.

How many weights does Clash Grotesk include?

The Clash Grotesk family includes 7 specific weights and styles, providing excellent versatility for your typographic designs.

Who designed Clash Grotesk?

Clash Grotesk was designed by Indian Type Foundry and naturally published by Indian Type Foundry.